• πŸ‘€Β First impressions:
    The Trial immediately grabbed my attention with its dramatic premise. A respected police officer, Grant Cliveden, is poisoned inside the Old Bailey itself, an event that sends shockwaves through the justice system. The case lands in the hands of trainee barrister Adam Green, who suddenly finds himself defending Jimmy Knight, a man with a long criminal history and very little sympathy from the public. As Adam digs deeper into the case, it becomes clear that the victim had more than one enemy, and the truth behind the murder may be far more complicated than it first appears.

    The concept is strong and the setting of the Old Bailey gives the story a lot of atmosphere. Knowing that the author is a real barrister also adds a sense of authenticity to the legal aspects of the story.

    βœ… What I Liked:
    The legal detail is easily the book’s biggest strength. The courtroom scenes feel believable and well researched, and it is clear that Rob Rinder understands the legal system he is writing about. The way the trial unfolds, from witness questioning to legal strategy, gives the novel a realistic edge.

    Adam Green is also a likeable protagonist. As a trainee barrister thrown into a high pressure case, his uncertainty and determination make him easy to root for. His perspective offers a good entry point into the complexities of the trial.

    The central mystery is intriguing and there are enough twists and possible motives to keep you wondering what really happened to Grant Cliveden.

    ❎ What I didn’t Like:
    Despite the strong premise, the story sometimes feels slower than it needs to be. Some sections focus heavily on legal process, which, while realistic, can interrupt the pacing and reduce the tension of the mystery.

    I also felt that some of the characters were not as developed as they could have been. Several suspects and side characters appear briefly without leaving much of an impression, which made parts of the story feel a little flat.

    While the mystery is interesting, the emotional impact of the case never fully landed for me, which meant I wasn’t as invested in the outcome as I hoped to be.

    πŸ’­ Final Thoughts:
    If you enjoy legal thrillers and courtroom dramas, this book still has plenty to offer. The realistic portrayal of the British legal system and the inside perspective on how trials work make it an interesting read for fans of the genre.

    Readers who enjoy slower, procedural crime stories rather than fast paced thrillers will likely appreciate the detail and structure of the trial.

    πŸ“š Why You Should Read This Book:
    The TrialΒ is a solid legal thriller with an intriguing premise and authentic courtroom scenes. While the pacing and character development don’t always hit the mark, the realistic insight into the justice system makes it a worthwhile read for fans of legal dramas.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜… – An interesting courtroom mystery that doesn’t quite reach its full potential

  • πŸ‘€Β First impressions:
    The Chemistry by A. A. Hand immediately positions itself as a dark romance with sharp psychological edges. From the outset, there is an undercurrent of danger simmering beneath every interaction. The premise leans into obsession, power imbalance and the intoxicating pull between two people who know they probably should not want each other but absolutely do.

    This is not a lighthearted romance. It is intense, emotionally charged and deliberately provocative. Hand wastes no time establishing the chemistry between the central characters and the stakes escalate quickly, pulling you into a story where desire and risk become dangerously intertwined.

    βœ… What I Liked:
    The tension is the undeniable strength of this novel. Every conversation feels loaded, every touch carries weight and the push and pull between the protagonists is written with confidence. The chemistry is believable because it is complicated. It is messy, flawed and often morally questionable, which makes it feel real rather than idealised.

    I also appreciated the emotional vulnerability threaded through the darker elements. Beneath the sharp dialogue and heated encounters, there is a genuine exploration of insecurity, control and longing. The author allows the characters to be imperfect without softening their edges, which makes their dynamic compelling to watch unfold.

    The pacing keeps things moving. Just when you think you understand the direction of the relationship, a new layer is revealed. That unpredictability kept me turning the pages far later than I intended.

    ❎ What I didn’t Like:
    At times, the intensity borders on repetitive. The emotional stakes are consistently high, which is gripping, but it can feel relentless. A few quieter reflective moments could have added more balance and deepened certain character motivations.

    Some plot developments rely heavily on dramatic tension rather than fully explored consequences. While this suits the tone of the book, readers who prefer grounded realism may find certain moments slightly exaggerated.

    πŸ“š Why You Should Read This Book:
    If you enjoy dark romance that leans into obsession, moral ambiguity and explosive attraction, this is absolutely one to add to your shelf. It is ideal for readers who like their love stories with sharp edges and a constant sense of risk.

    The Chemistry delivers emotional intensity and a relationship that refuses to be simple. It is bold, unapologetic and designed to provoke a reaction.

    πŸ’­ Final Thoughts:
    The Chemistry is a gripping, high heat exploration of desire and control. It thrives on tension and thrives even more on the emotional chaos that follows when attraction becomes impossible to ignore.

    While not always subtle, it is undeniably compelling. If you are looking for a romance that makes your heart race for more than one reason, this will deliver.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – Bold, messy and impossible to look away from

  • πŸ‘€Β First impressions:
    The Things We Keep opens with an emotional premise that immediately sets the tone for a deeply human story. Anna Forster, only thirty-eight, is facing early-onset Alzheimer’s, and from the very beginning there’s a quiet sense of grief woven into every moment. Being placed in an assisted living facility feels like a loss of independence, identity, and future all at once.

    The introduction of Luke, the only other resident close to her age, brings a spark of hope into an otherwise heavy situation. What unfolds is not just a love story, but a story about holding on to who you are when everything familiar begins to slip away.

    βœ… What I Liked:
    The emotional depth of this novel is its greatest strength. Sally Hepworth handles the subject of Alzheimer’s with sensitivity and care, capturing both the fear of losing memory and the frustration of still being aware of that loss. Anna’s perspective feels especially powerful, as you experience her confusion, determination, and vulnerability alongside her.

    The romance between Anna and Luke is beautifully done. It’s gentle, believable, and incredibly moving. The idea that love can exist and grow even as memories fade is what gives the story its emotional core, and it’s handled in a way that feels sincere rather than overly sentimental.

    There’s also a strong supporting narrative from the caregiver’s perspective, which adds another layer to the story. It highlights the emotional toll on those who look after others, as well as the moral dilemmas that come with care, responsibility, and doing what is β€œright.”

    ❎ What I didn’t Like:
    At times, the story leans a little too heavily into sentimentality, particularly in some of the more emotional scenes. While it suits the tone of the book, it occasionally feels slightly overdone.

    The pacing can also feel uneven, with certain sections moving quickly while others linger longer than necessary. Some plot developments are fairly predictable, especially if you’re familiar with this type of emotional fiction.

    πŸ“š Why You Should Read This Book:
    If you enjoy emotional, character-driven stories that explore love, loss, and resilience, this is a strong choice. It will particularly resonate with readers who appreciated books like Me Before You, where relationships are tested by life-altering circumstances.

    It’s also a thoughtful read for anyone interested in stories about memory, identity, and the ways people connect even in the most difficult situations.

    πŸ’­ Final Thoughts:
    The Things We Keep is a poignant and compassionate novel that explores what it means to love when time and memory are working against you. It’s undeniably sad in places, but it’s also full of warmth and quiet hope.

    Sally Hepworth reminds us that while memories may fade, the emotions tied to them can remain, and sometimes, that’s enough.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – A tender and heartbreaking reminder that love outlasts memory

  • πŸ‘€Β First impressions:
    Few novels have shaped the haunted house genre quite like The Haunting of Hill House, and stepping into it feels less like reading a story and more like entering a carefully constructed psychological trap. First published in 1959, this gothic horror classic follows Eleanor Vance, a lonely and emotionally fragile woman who joins a small group invited to investigate the notoriously haunted Hill House. What begins as a controlled experiment into the supernatural quickly dissolves into something far more unsettling.

    From the iconic opening line to the creeping sense of dread, Shirley Jackson wastes no time establishing that Hill House is not just a setting, but a presence. The prose is deceptively simple, but there is something deeply wrong simmering beneath every interaction, every description, every silence.

    βœ… What I Liked:
    What makes this novel exceptional is how ambiguous it is. Is Hill House truly haunted, or are we watching Eleanor unravel under the weight of isolation and suggestion? Jackson never gives you a clear answer, and that uncertainty is where the horror thrives.

    Eleanor herself is one of the most fascinating protagonists I’ve come across. She’s sympathetic, frustrating, hopeful, and deeply unreliable. Watching her internal world shift as the house seems to respond to her is both compelling and quietly devastating.

    The atmosphere is unmatched. This isn’t a book full of jump scares or dramatic confrontations. Instead, it builds tension slowly, using small details and subtle distortions of reality. A cold spot here, a strange sound there, a message on the wall that feels far too personal. It’s the kind of horror that seeps in rather than shocks, and it’s all the more effective for it.

    ❎ What I didn’t Like:
    If you’re looking for a fast-paced, plot-heavy horror story, this might not hit the mark. The narrative is deliberately slow and introspective, focusing more on character and mood than action.

    Some readers might also find the ambiguity frustrating. There are no clear answers, no neat resolution, and no definitive explanation of what is happening. But honestly, that’s part of what makes it so powerful.

    πŸ“š Why You Should Read This Book:
    If you enjoy psychological horror that prioritises atmosphere over gore, this is essential reading. It’s perfect for readers who like to question what they’re seeing and enjoy stories that leave space for interpretation.

    It’s also a must-read if you’re interested in the roots of modern horror. You can see its influence everywhere, from contemporary haunted house stories to films and shows like The Haunting of Hill House, which draws heavily from Jackson’s themes and tone.

    πŸ’­ Final Thoughts:
    The Haunting of Hill House is not just a ghost story. It’s a study of loneliness, identity, and the fragile line between reality and imagination. Shirley Jackson proves that horror doesn’t need spectacle to be effective. Sometimes, all it takes is a house, a mind, and the quiet suggestion that something is very, very wrong.

    It’s unsettling in a way that creeps up on you, and once it’s there, it doesn’t quite leave.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜…β˜… – A masterclass in quiet terror that lingers long after the last page

  • πŸ‘€Β First impressions:
    Traumaland opens with a sharp, unsettling hook and never really loosens its grip. Eli wakes up after a near fatal accident with no memory and no emotional response, diagnosed with something chillingly named Overwhelming Emptiness. When he stumbles across TraumaLand, an underground club where people relive other people’s worst experiences through hyper realistic virtual reality, the novel immediately raises uncomfortable questions about empathy, voyeurism, and what it really means to feel alive. The framing device of stepping into another person’s story gives the book a dark, immersive edge from the outset.

    βœ… What I Liked:
    The concept is genuinely disturbing in a way that feels very now. The idea of commodified trauma and experiential suffering feels like a natural extension of online culture taken to its most extreme conclusion. The writing is sharp and fast paced, pulling you deeper into Eli’s fractured perspective as he becomes more entangled with Jack’s story. I also liked how the book plays with identity and consent, blurring the line between observer and participant until it becomes hard to tell who is really in control. The tension builds steadily, with a growing sense that something is deeply wrong beneath the surface of the club.

    ❎ What I didn’t Like:
    At times the emotional beats are intentionally muted, reflecting Eli’s numbness, but this can make it harder to fully connect with him as a character early on. Some readers may also find the conceptual elements more compelling than the character relationships, which occasionally feel secondary to the central idea.

    πŸ“š Why You Should Read This Book:
    If you enjoy dark speculative thrillers that interrogate modern culture, this is an excellent choice. It will appeal to readers who like their fiction unsettling, morally ambiguous, and just close enough to reality to be uncomfortable. Fans of dystopian concepts grounded in present day anxieties will find a lot to chew on here.

    πŸ’­ Final Thoughts:
    Traumaland is a clever, eerie novel that asks difficult questions about pain, entertainment, and the lengths people will go to in order to feel something. It is unsettling without being gratuitous and thought provoking without feeling heavy handed. This is the kind of book that lingers, not because of shock alone, but because of how plausible its darkest ideas feel.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – A chilling dive into trauma, identity, and manufactured emotion

  • πŸ‘€Β First impressions:
    This novel is inspired by the real life wind phone in Japan, a place where people go to speak into the void and tell their loved ones what they never got the chance to say. Set in the aftermath of the 2011 tsunami, the story follows Yui as she grieves the loss of her mother and daughter, losses so vast they feel impossible to carry. Her journey to the phone box is less about closure and more about survival, about learning how to exist when everything familiar has been taken away. When she meets Takeshi, another parent shaped by grief, the novel gently widens its scope to show how loss fractures families in different ways.

    βœ… What I Liked:
    The tenderness of this book is its greatest strength. It handles grief with remarkable sensitivity, never rushing it or trying to tidy it into something reassuring. The phone box itself is a beautiful device, allowing characters to express raw, unfiltered emotion without judgement. I particularly loved how children are written here, especially Takeshi’s daughter, whose silence speaks volumes. The prose is soft and reflective, encouraging you to slow down and really sit with the emotions on the page.

    ❎ What I didn’t Like:
    The pacing is very gentle, sometimes to the point of feeling almost static. Readers who prefer a strong narrative drive may find it drifts in places. A few characters feel more like emotional symbols than fully rounded people, which slightly dulled the impact for me at times.

    πŸ“š Why You Should Read This Book:
    If you enjoy emotionally led fiction that explores grief, healing, and human connection, this book is a lovely choice. It is ideal for readers who appreciate quiet stories that linger long after the final page and who are comfortable with sadness being part of the reading experience rather than something to be quickly resolved.

    πŸ’­ Final Thoughts:
    The Phone Box at the Edge of the World is a gentle, heartbreaking, and ultimately hopeful novel. It reminds us that grief does not disappear, but it can change shape, and that speaking our love out loud still matters even when no one answers back. This is a book that feels like a long exhale, heavy with sorrow but threaded with warmth.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – A soft and heartbreaking exploration of love, loss, and the words we never stop wanting to say

  • πŸ‘€Β First impressions:
    This is a novel that immediately promises darkness and moral messiness. Three women, each desperate for change, collide around a secret that refuses to stay buried. From the opening chapters it is clear this is not a redemption story or a cautionary tale delivered neatly. Instead, it is about desire, power, and the quiet choices that nudge ordinary lives towards something irreparable. The academic setting adds a chilling edge, particularly as admiration and ambition blur into obsession.

    βœ… What I Liked:
    The atmosphere is tense from start to finish. Harriet Tyce excels at exploring female rage, vulnerability, and longing without softening the consequences. Each woman feels sharply drawn, flawed, and believable in her desperation. The novel is especially strong in its portrayal of power imbalances, particularly in academic and romantic spaces, and how easily those dynamics can be exploited. The slow reveal of the central mystery is well paced, keeping the reader constantly reassessing who holds the truth and who is being manipulated.

    ❎ What I didn’t Like:
    Some character motivations feel intentionally opaque, which adds to the unease but may frustrate readers who want clearer emotional grounding. There are moments where the narrative leans more into mood than momentum, slowing the plot just slightly when the tension is at its peak.

    πŸ“š Why You Should Read This Book:
    If you enjoy psychological thrillers that focus on character rather than spectacle, this one delivers. It is unsettling in a quiet, creeping way and tackles themes of control, envy, and self destruction with confidence. Fans of dark academia and morally complex female driven stories will find plenty to sink their teeth into here.

    πŸ’­ Final Thoughts:
    A Lesson in Cruelty is sharp, uncomfortable, and deeply cynical about the cost of wanting more from life. It asks difficult questions about accountability and agency, then refuses to offer easy answers. This is a novel that lingers, not because of shock twists, but because of how recognisable its emotional traps feel.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – A cold, intelligent thriller about desire and consequence

  • πŸ‘€Β First impressions:
    This book grabbed me immediately, partly because of the setting and partly because of how utterly unhinged the premise is in the best possible way. A struggling band playing awful pubs across the northeast, fictional gods of mishap, and a viral act of violence is already a wild mix, but setting it all in Northumberland gives the story a grounding that makes the chaos feel oddly believable. At its heart, this is a story about belief, about wanting to matter, and about what happens when something that should stay small suddenly explodes. The Solkats start as a joke, a bit of lore woven into songs no one understands, but the novel slowly peels back how easily stories can become movements and how quickly movements can turn dangerous.

    βœ… What I Liked:
    The sense of place is spot on. The pubs feel grimy, the gigs feel chaotic, and the north feels lived in rather than romanticised. The humour is sharp and strange, with that very specific northern dryness that makes even the darkest moments funny without undercutting their impact. I also loved how the book explores fandom culture and influencer power without feeling preachy. It lets things spiral naturally, showing how good intentions, loneliness, and the hunger for meaning can morph into something genuinely frightening. The band’s dynamic is another highlight. Their loyalty to each other feels real, messy, and earned, which makes the stakes hit harder when everything starts to unravel.

    ❎ What I didn’t Like:
    At times the narrative feels deliberately chaotic, which absolutely fits the story but occasionally made it harder to stay fully grounded in what was happening. There are moments where the line between metaphor and reality blurs so much that it can feel disorientating. While I think that is largely intentional, it may not work for readers who prefer a tighter, more straightforward plot progression.

    πŸ“š Why You Should Read This Book:
    If you enjoy books that sit in the uncomfortable space between satire and horror, this one is for you. It is a sharp look at modern cults, internet fame, and the dangerous comfort of believing in something bigger than yourself. It is also refreshingly different, rooted firmly in the northeast rather than the usual big city settings, and it takes big, weird risks that mostly pay off.

    πŸ’­ Final Thoughts:
    It’s Not a Cult is funny, unsettling, and surprisingly thoughtful. It starts off scrappy and strange, then slowly tightens its grip until the humour curdles into something darker. This is a novel about stories, about gods both invented and real, and about the terrifying power of being truly seen by an audience. It will not be for everyone, but for the right reader it is memorable in all the best and worst ways.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – Darkly funny folk horror for the internet age

  • πŸ‘€Β First impressions:
    The WhispersΒ begins with an incident in the dead of night, centred on the grandest house on Harlow Street and its seemingly perfect occupant, Whitney Loverly. As neighbours, friends and authorities gather to piece together what happened over the previous twenty four hours, Ashley Audrain slowly peels back the polished exterior of suburban success. What emerges is a story thick with secrets, quiet betrayals and the corrosive power of envy. From the outset, the novel signals that this is less about a single event and more about what happens when private lives are exposed to public judgement.

    βœ… What I Liked:
    Audrain is exceptionally skilled at exploring the inner lives of her characters, particularly women navigating motherhood, ambition and identity. Whitney, once the object of admiration, becomes a focal point for resentment and speculation, while the surrounding voices reveal just as much about themselves as they do about her. The shifting perspectives work beautifully to show how quickly whispers turn into narratives, and how fragile reputation can be. The atmosphere is claustrophobic and tense, with a slow burn intensity that keeps the reader leaning in.

    ❎ What I didn’t Like:
    The pacing is deliberately measured, and readers expecting a fast moving thriller may find it restrained. Some of the ambiguity around events and motivations may feel frustrating rather than satisfying, particularly if you prefer clear answers. The discomfort is intentional, but it will not suit every reading taste.

    πŸ“š Why You Should Read This Book:
    If you enjoy psychologically rich fiction that examines power, perception and the darker side of community dynamics,Β The WhispersΒ is well worth your time. It is ideal for readers drawn to character driven narratives that ask difficult questions about judgement, motherhood and who gets believed. This is a novel that sparks conversation long after you finish it.

    πŸ’­ Final Thoughts:
    The WhispersΒ is a sharp and unsettling exploration of how quickly admiration can curdle into suspicion. Ashley Audrain captures the quiet menace of whispered assumptions and the damage they cause with precision and empathy. It is an uncomfortable read in the best possible way, forcing the reader to confront how easily we participate in the stories we tell about others.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – A chilling portrait of envy, silence and suburban scrutiny

  • πŸ‘€Β First impressions:
    You Will Never Be MeΒ dives headfirst into the glossy, performative world of influencer culture, where curated perfection masks rivalry, insecurity and obsession. Jesse Sutanto introduces us to two women bound together by motherhood, social media and simmering resentment. From the opening chapters, the novel establishes an atmosphere of comparison and quiet hostility that steadily escalates into something far more sinister. This is a psychological thriller that thrives on tension rather than mystery, making it immediately compelling.

    βœ… What I Liked:
    Sutanto excels at capturing the voice and mindset of her characters, particularly the corrosive effects of envy and validation seeking. The inner monologues are sharp, funny and often painfully recognisable, skewering the pressures of online perfection with precision. The pacing is tight, with short chapters that keep the story moving and the unease building. There is also a strong satirical edge, using humour to underline just how warped competition and self worth can become in digital spaces.

    ❎ What I didn’t Like:
    Some plot developments lean into exaggeration, and the characters are intentionally unlikeable, which may be off putting for readers who need someone to root for. A few twists are more predictable than shocking, especially if you are familiar with the genre. However, the enjoyment lies more in the psychological sparring than in surprise alone.

    πŸ“š Why You Should Read This Book:
    If you enjoy dark thrillers with a sharp sense of humour and social commentary,Β You Will Never Be MeΒ is a great choice. It is ideal for readers who like morally messy characters and stories that explore modern anxieties around identity, motherhood and comparison culture. This is a fast, addictive read that sparks plenty of uncomfortable reflection.

    πŸ’­ Final Thoughts:
    You Will Never Be MeΒ is a slick and entertaining psychological thriller that turns the spotlight on insecurity and obsession in the age of social media. Jesse Sutanto blends tension and satire with confidence, creating a story that is unsettling precisely because it feels so plausible. It may not reinvent the genre, but it delivers a sharp and thoroughly enjoyable reading experience.

    πŸ›οΈ Where to buy
    To buy your own copy click HERE and HERE

    Final Rating β˜…β˜…β˜…β˜… – A smart, savage thriller with a wickedly modern edge